I’m no longer clear at what point in the process I chose to connect this new dance to my preceding two works via the Part Three of the title. Once so decided, I began referring to a trilogy of Not-About-AIDS-Dance, The Disco Project, and Part Three, itself in three parts. I soon wanted to perform all these works together, which Joan Finkelstein of the 92nd Street Y made possible. It was a perhaps overly ambitious undertaking, given our resources. From my current vantage point, organizing these works as a trilogy seems overly tidy, too much a traditional three-part story structure, given my allergy to “about,” and to “story.”
The “Luck” in the title functioned, for me, as a substitute for “chance.” I recognized, however, that many people imbue the term with what I see as magic-thinking, as in good or bad luck. I was ok with the contradiction.
Unfortunately, I didn’t really have the chance to finish work on this dance. During the final stages of choreography, and the performances, I was ill with the same at-that-point-undiagnosed condition from which I suffered the previous fall, and which I disclosed in the projected text for Part Three (Luck). (It took years before the condition was diagnosed as Multicentric Castleman Disease, an opportunistic infection, and I finally received effective treatment for it.) I wasn’t able to make finishing revisions on either the choreography or the text, which remains a disappointment to me now, as it was then. So goes luck.
Credits
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Press
Deborah Jowitt, Village Voice, 1998
Leigh Witchel, Ballet Review, 1998
Ann Daly, New York Times, 1998
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