dimensions variable
The 45-minute recording of The Disco Project commenced every hour on the hour, while the new text played on a 4.5-minute loop that was not synchronized to the start of the video documentation. Consequently, the temporal relationships between the new text and specific moments within The Disco Project were chance determined and different for each showing.
The Disco Project (1995) followed Not-About-AIDS-Dance (1994) in the progression of my work. For both I employ projected text that provides nonfictional information about the lives of the performers. Created in the 1990s, AIDS played an inescapable role in the text of both works. Fast forward to 2021 and COVID-19, which reverberated for me with the AIDS crisis; considering these ongoing pandemics together raised comparisons between the reception with which each has been met (for instance: no Operation Warp Speed for an HIV vaccine, still).
From Disco To Disco, Greene Naftali, 2021
February 2-27, 2021
Looking Back / The 12th White Columns Annual - Selected by Mary Manning, 2022
January 22-March 5, 2022
The Disco Project premiered at Performance Space 122, December 14-17, 1995.
Credits
Choreography and Text: Neil Greenberg
Performed by: Ellen Barnaby, Christopher Batenhorst, Neil Greenberg, Justine Lynch, Paige Martin
Musical Advisor: Zeena Parkins
Lighting: Michael Stiller
Support
Video documentation of The Disco Project produced by the Jerome Robbins Archive of the Recorded Moving Image of the Dance Collection of the New York Public Library
Recorded by Sathya Production Services, Molly McBride, Director at the Joyce Theater, January 17, 1997
Viewing Link
Press
Johanna Fateman, Art Forum, 2022
Additional Links
Text for “The Disco Project Installation,” 2021, Greene Naftali
Text for "The Disco Project Installation," 2022, White Columns Annual
Webinar on the Installation:
Neil Greenberg, Carol Greene, Sarah Michelson: on The Disco Project Installation, 2021
Installation View, White Columns, 2022
© Greene Naftali, 2021
© Frank Mullaney, 2021
© Marc Tatti, White Columns, 2022